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  • Various Artists: Industrial Accident: The Story of Wax Trax! Records
    by Susan Elizabeth Shepard on 23rd April 2019 at 5:00 am

    The soundtrack to a documentary about the flagship indie label features early material from Ministry, My Life With the Thrill Kill Kult, and other industrial icons. […]

  • The Tallest Man on Earth: I Love You. It's a Fever Dream.
    by Peyton Thomas on 23rd April 2019 at 5:00 am

    As he explores the banalities and oddities of tour, Kristian Matsson seeks answers to a bigger question: How best should he move through the landscape of his life? […]

  • SOB x RBE: Family Not a Group
    by Paul A. Thompson on 23rd April 2019 at 5:00 am

    The Bay Area rap crew’s collaboration with Hit-Boy catches them in a moment of furious flux. […]

  • Bruce Hornsby: Absolute Zero
    by Stephen Thomas Erlewine on 23rd April 2019 at 5:00 am

    Jazz fusion, chamber pop, modern classical—if your awareness of Hornsby stops at the lite-FM radio dial, prepare to be disoriented. […]

  • Lizzo: Cuz I Love You
    by Rawiya Kameir on 22nd April 2019 at 5:00 am

    The shiny soul-pop of Lizzo’s major label debut is something of a thesis on internalized and externalized confidence—so much so that the music can feel like a means to a greater end. […]

  • Control Top: Covert Contracts
    by NM Mashurov on 22nd April 2019 at 5:00 am

    On their debut album, the anarchic Philly hardcore trio muster a raw, thrilling assault against complacency. […]

  • Drugdealer: Raw Honey
    by Stuart Berman on 22nd April 2019 at 5:00 am

    L.A.-based auteur Michael Collins crafts a pristine portrait of early-’70s AM radio by taking inspiration not only from the period’s definitive artists, but its discarded pop detritus, too. […]

  • Sad Planets: Akron, Ohio
    by Allison Hussey on 22nd April 2019 at 5:00 am

    The Black Keys’ Patrick Carney and longtime indie-rock journeyman John Petkovic team up on a graceless, unsubtle pastiche of rock’n’roll indulgence. […]

  • Floral Shoppe: Macintosh Plus
    by Miles Bowe on 21st April 2019 at 5:00 am

    Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the banal ennui of vaporwave with its pioneering document from 2011. […]

  • Ana Roxanne: ~~~ EP
    by Anna Gaca on 20th April 2019 at 5:00 am

    The Los Angeles-based ambient musician’s EP is restful and restorative, using lo-fi tones and textures to create a work that subtly transcends. […]

  • Caroline Shaw/Attaca Quartet: Orange
    by Matthew Strauss on 20th April 2019 at 5:00 am

    The Pulitzer Prize-winning composer returns with a wild and free-ranging collection of chamber pieces. […]

  • ShunGu: A Black Market Album
    by Jonah Bromwich on 20th April 2019 at 5:00 am

    The Belgian beatmaker ups his game, roping in guest vocalists Siifu, Spote Breeze, and Mamoyo on a breezy, 22-minute album that, at its best, recalls golden-age Slum Village. […]

  • Intellexual: Intellexual
    by Jay Balfour on 20th April 2019 at 5:00 am

    The Social Experiment members reintroduce themselves as earnest singer-songwriters, but their post-genre mashup production produces more vibes than actual songs. […]

  • SOAK: Grim Town
    by Stuart Berman on 19th April 2019 at 5:00 am

    On her second album, the Northern Irish musician graduates from lonesome singer-songwriter to bold art-pop auteur; her growing confidence translates to emotionally probing songs of startling candor. […]

  • Lolo Zouaï: High Highs to Low Lows
    by Jackson Howard on 19th April 2019 at 5:00 am

    Don’t be fooled by the of-the-moment pop sound: The 24-year-old singer’s debut album is the showcase for a refreshingly original perspective. […]

  • Reese McHenry: No Dados
    by Allison Hussey on 19th April 2019 at 5:00 am

    The North Carolinian singer comes roaring back from multiple strokes to deliver a raw and thrilling solo debut. […]

  • Homecoming: The Live Album
    by Danielle Jackson on 19th April 2019 at 5:00 am

    Beyoncé’s historic Coachella set is preserved as a stunning live album that captures an artist at her peak, flexing her catalog and shining a light on the genius of black artists that came before her. […]

  • Romeo Santos: Utopía
    by Matthew Ismael Ruiz on 19th April 2019 at 5:00 am

    The Dominican bachata king follows his chart-topping Golden with a celebration of the genre's rich history, lifting up his forebears and revealing his musical DNA. […]

  • Broken Social Scene: Let’s Try the After Vol. 2 EP
    by Margaret Farrell on 18th April 2019 at 5:00 am

    On the second half of their paired EPs, the Toronto collective settles into comfortable territory that soon proves stale. […]

  • Gus Dapperton: Where Polly People Go to Read
    by Duncan Cooper on 18th April 2019 at 5:00 am

    The debut from the it-boy bedroom pop auteur manages to feel both excitingly personal and a bit disingenuous. […]

  • Wand: Laughing Matter
    by Brian Howe on 18th April 2019 at 5:00 am

    As they pare away at their sound, Wand move further away from psych-rock and closer to true psychedelia. […]

  • Heather Woods Broderick: Invitation
    by Emma Madden on 18th April 2019 at 5:00 am

    Three albums in, the Oregon-based multi-instrumentalist still sounds as though she’s composing music en plein air. […]

  • Labrinth, Sia, Diplo: LSD
    by Dani Blum on 17th April 2019 at 5:00 am

    Diplo, Sia, and Labrinth combine forces for an album of truly forgettable pop music that is too tired to be wired. […]

  • Kitty: Rose Gold
    by Arielle Gordon on 17th April 2019 at 5:00 am

    With low-stakes dance-pop that simmers just beneath the surface, the artist formerly known as Kitty Pryde attempts to transcend her internet bubble. […]

  • Fontaines D.C.: Dogrel
    by Stuart Berman on 17th April 2019 at 5:00 am

    The steely Dublin post-punk band infuse the bitterness and rage of The Fall with punch-drunk romanticism. […]

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