Cate Le Bon: Pompeii review – introspective isolation album
Alice Glass: Prey//IV review – songs of trauma and recovery
Mø: Motordrome review – post-burnout uplift
Stan Tracey Trio: The 1959 Sessions – genius brewing
Classical home listening: solo Bach from Kavakos; a brace of Magnificats
Debit: The Long Count review | Ammar Kalia’s global album of the month
Samm Henshaw: Untidy Soul review – a wry, low-key take on the modern self
Scenes from the Kalevala review | Andrew Clements’s classical album of the week
Anaïs Mitchell: Anaïs Mitchell review | Alexis Petridis’s album of the week
Elvis Costello and the Imposters: The Boy Named If review – the glory days recaptured
Years & Years: Night Call review – Olly Alexander hits the dancefloor
Yard Act: Overload review – full of anger, humour and effortless tunes
Anouar Kaddour Cherif: Djawla review – a deft Arab-jazz blend
Classical home listening: young composers and Handel’s power women
Julie Sassoon Quartet: Voyages review | John Fordham’s jazz album of the month
Young T & Bugsey: Truth Be Told review – a stream of smooth, self-serious rap
Debussy: Pelléas et Mélisande review | Andrew Clements’s classical album of the week
Yard Act: The Overload review | Alexis Petridis’s Album of the Week
Bonobo: Fragments review – a wondrous nirvana
The Weeknd: Dawn FM review – shimmering pop in extremis







